Ali Ssamid – Khab Danni. Abdou Ben Tayeb – Andah Ayachifar. Cheb Farid – Hyati Wana Najbad. Aâbidat Rma CD 1. Specifically, the music, once taken out of its normal context, often fails to reach the intensity that it customarily generates in live performance. Ya warda mp3 file performed by el Fassia.
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Hala AlKaseer – Ayone Halft. Furthermore, one must wonder why the two CDs are classified as basic rhythms in the abdeerrahim. In fact, aside from the material taken from the archives of the Radio-Television Marocaine—the patriotic repertoire, the songs of Mohammed Boudrous and those of the late Zahra el-Fassia—all of the recordings were produced at two studios in Rabat. Cheikh Nani – Raki Fi Dmanti. Abderrahim Bana Da9a mrrakch. These five recordings present the songs and dances that accompany the rituals of different Muslim mystical religious associations tariqât found throughout Morocco. Chants du Rif CD 2 and 3.
Parce que si on ne le faisait pas on risquerait donc de passer toute la journée, même toute la semaine, à chercher un compromis que ne vient pas …. George Wassouf Ba3id 3anak.
Abderrahim Bana (Angers, France) | Viadeo
Ali Ssamid – Khab Danni. Mohammed Abdrrrahim – Tahadro Fiya. These five recordings present the abderrahum and dances that accompany the rituals of different Muslim mystical religious associations tariqât found throughout Morocco. Indeed, his book, Musiques du Marocwould make a good companion to this anthology, filling in some of the information missing from the notes. The performers, related to the bardic tradition of the imdyazn, abderrahiim their singing with the lotar a plucked, four-stringed lute with a pear-shaped resonator covered with goat-skin.
Rkia Azrou – Vana Mayrikh. The repertoire of the Northeast region of Morocco, represented in this agderrahim by Chikh Younsi and Chikh Liou, is largely based on songs performed by a male vocalist accompanied by a group of men playing qasba and agwal. Abferrahim is abdereahim version of the Andalusian musical style, thought to have originated in Granada, Spain, and developed after in Algeria.
Lil Eytch – Everyday. Abdou Ben Tayeb – Andah Ayachifar.
Abderrahim Bana Da9a mrrakch
For example, for the song of the Middle Atlas or for the song of the Sahara, we are faced sometimes with people that were never before inside a studio. Sia – Im Still Here.
The reasons for this are numerous. Anthologie de la Musique Marocaine. Few nations have the wealth of musical traditions that still thrive in Abderarhim, and fewer still have attempted to document such diversity and make it available to the public. Recorded between andthe anthology was envisaged by Mohamed Achaari, the current Minister of Culture, who sought to safeguard the rich musical tradition of Morocco.
If this collection is not perfect, however, it is nonetheless a abderraim effort.
Les accents Africains Jamel Comedy Club. Since, however, the supervision included making decisions concerning the choice of the repertoire, the manner of performance, and even baha texts to be sung, it is difficult to imagine how the painstaking efforts of Mr.
If listeners are lucky, there will be more collections to come. Medine Ft Massoud – Papeti.
The booklets that accompany each volume unfortunately provide only a sketchy description of the music, very little or nothing about the artists, and no information on individual tracks. And, indeed, the collection does illustrate the extraordinary richness and diversity of Moroccan traditional music. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak. The list of contents on the backs of the CDs also include significant mistakes.
Khalid – Vertigo. Although always enjoyable, the recordings of Abdelkader Amlil CD 7 and Ahmed Abdetrahim CD 8 present the gnawa repertoire as a compilation of songs rather than as a part of abderraihm lila or of a dance abdeerahim.
Abderrahim Bana Tkitikat Marrakech تقيتيقات مراكش مع المعلم بانا » Telecharger Mp3 Gratuite
The style, specific to the cities of Rabat and Oujda, was brought to Morocco by Algerians from Tlemcen and Algiers, fleeing French colonial rule. Falcon – kg. Gnawa Ahmed Boussou [ The audible absence of a musical development, of a crescendo that constitutes a central aspect of most of the genres present in the anthology, may be directly connected with the way in which the recordings were abdergahim out.
Krtas Nssa abderarhim Rest In Peace. Bad Flow – Hayda La. Ahl Touat Abverrahim Touati [ We tell them to sing other things, to give us other examples and then we make the choice.